Practice with a very large brush

I happened to find a huge brush in my collection and decided to practice with it. It’s definitely heavier than what I’m used to. It was a really fun practice session to do something different!


Getting acquainted with painting

A few months ago I started painting bamboo. Little did I know when I started that it was the first thing to learn to paint, but also the hardest to master. I think I made reasonable progress. But the most important part is that I learned a different way of observing objects and portraying them on paper.

The painting style I’m learning is neither abstract nor realism. I’m not painting in detail, but need to have enough objects and/ or shapes to give the idea of the object I’m painting.I’m not that great at detail drawing, but when I see something, I see all the details and want to at least attempt to reproduce it.

It took awhile for these concepts and ideas sink in. But, I think I have the right idea and was able to apply it to the cat I painted recently.

Chinese seal carving: rubber stamps

A year ago I took a workshop to learn how to carve rubber stamps. The motivation for learning was as a stepping stone for carving seals. I decided to give it a try.

I used Blick Readycut for these stamps. The material has a grey upper layer and a white lower layer. To create the stamp, the grey layer is carved away.

In seal carving, there are two styles. 朱文 means red characters. 白文 means white characters. I tried both. I did 月 (the character for moon) in 甲骨文 (oracle bone script) and 篆書 (seal script).

Here are the 甲骨文 examples:

And the 篆書 examples:

I think it’s a pretty good start. The 朱文 style is definitely more difficult. Rubber is pretty flimsy, and the cut away portions would always touch the ink pad or paper when I pressed down. The material is also pretty thin. It’s probably not the best for 朱文.

This was a fun exercise. The stamps are not as small as regular seals, but I don’t think I have fine enough tools to do something that small on rubber. It does make me want to learn more about 甲骨文 since I have not practiced it my calligraphy studies.

墨境 Ink Worlds at the Cantor Arts Center

There are only a couple of weeks left to see the exhibit “墨境 Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang” at the Cantor Arts Center at Stanford University. For anyone who is interested in ink and Chinese art, this is definitely an exhibit to see.

I was really excited to see a piece of work by Tong Yang Tze.

There were also works by Lui Guo Song and Zhang Da Qian.

The exhibit covers many aspects of contemporary ink painting. I do recommend getting the exhibition catalogue. It explains a lot more than the exhibit itself. Abstract and contemporary art tends to be a response to past art. Without the background of the past works, it can be difficult to understand the current work. The catalogue goes into a lot more detail than the exhibit.

Calligraphy vs. painting

I have started to notice differences between the techniques in calligraphy and painting. I can also understand why people who start painting start focusing on painting and not calligraphy. I’ve found that there’s so much to explore in painting that my focus can keep changing during one practice session. I need to make sure I devote equal time on both.

I’m slowing getting acclimated to mixing different shades of ink. Painting requires different shades of ink. Calligraphy uses full ink. I found this article really helpful. Loading the ink on the brush is also different. For calligraphy, I have a sense of how much ink is necessary. In painting, squeezing out ink on the side of ink stone is not enough. It seems that the only way to remove enough ink so the brush is not overloaded is by brushing on a paper towel. I think I’m understanding what I need to do, I just need to remember to do it.

Another adjustment to painting is needing different brushes. With different shades of grey in painting, it’s better to use different brushes for each shade. Otherwise I’m constantly washing the same brush, which is really time consuming. Now I need more brushes. I’m using brushes are not good enough for calligraphy, but they might also not be good enough for painting.

The angle of the brush is also different in painting. In calligraphy, the brush is upright, practically perpendicular to the paper. However, in painting, the brush can be angled in different directions, even parallel, to create the desired shapes.

A pretty curious aspect of painting is the variation of wet to dry brush. For calligraphy, the brush needs to be wet enough to produce strong strokes. In painting, a dry brush can produce different textures.

Starting Chinese painting is a rather fun addition to my calligraphy practice. As I learn the differences, I’m also understanding calligraphy more and more. I think I’m off to a good start.

New goals

Looking back at my original goals, I accomplished a lot. I learned French cursive, and made a breakthrough with Copperplate calligraphy. I started running script, and even started splash ink painting. Practicing on blank paper, instead of grid paper, is my standard now. I also took many workshops: brush calligraphy in English, rubber stamping, and exploring creativity.

There were also a few things that I wanted to do that I did not get around doing. I have not worked on writing Chinese beautifully. I also did not work on drawing, which I decided was not as important for the time being.

For the next year, my focus will continue to be on Chinese calligraphy and painting. Instead of splash painting, I would like to work on painting flowers and plants. I was inspired recently to give it a try, and I like the results.

I would like to aim towards completed works. It is time to start working on writing Chinese beautifully. I’ll definitely keep looking out for workshops and events that enhance my art practice.

Time to incorporate painting?

When I started learning calligraphy, the class was a combination painting and calligraphy class. In class I focused on the calligraphy, but would learn some painting here and there. I was not particularly interested in painting because I’m not very good at drawing. I did start some abstract painting. I felt more comfortable than trying to paint or recreate tangible objects.

I recently decided to paint some plum blossoms for a piece for winter solstice. I had not painted plum blossoms before. I used brush pens to paint the flowers and branches. I think the piece turned out pretty good. The proportion of words to the painting could be better, but the focus was supposed to be the words, not the plum blossoms. It took a couple of tries before I got the color mixture I wanted for the flowers. But in the end, I think it reflected what I wanted to paint.

It later occurred to me that I actually liked painting the plum blossoms. The painting and calligraphy would look much better on mulberry paper instead of western watercolor paper. Watercolor would create a better effect compared to markers. The piece would look better if I actually painted it the way it was supposed to be in the Chinese style. I liked the simplicity of a single type of flower. Perhaps abstract watercolor was becoming too abstract and experimental. A single branch felt grounded and stable.

My conclusion was that perhaps it is time to start painting in addition to calligraphy. When I started calligraphy, some family members kept on suggesting that I also paint. In the Chinese tradition, a painter must know calligraphy because the basic painting strokes are calligraphy strokes. However, a calligrapher does not necessarily need to know how to paint. After more than five years of calligraphy, maybe it is time to start flower painting. Maybe I have built up enough technique for it?